Fuente y Padrón Legends ~ Carlos Fuente Jr. Honoring José O. Padrón | Cigar Reviews by the Katman

Wrapper: Undisclosed
Binder: Undisclosed
Filler: Undisclosed
Size: 7 x 50 Churchill
Strength: Medium/Full
Price: $178.00
Released: Marh 2024
Quantity Released: Undisclosed
Factory: Tabacalera A. Fuente y Cia, Dominican Republic

My one and only cigar received one year of home humidor time…in its cello.

BACKGROUND:
From Cigar Aficionado:
“We discussed Jorge blending a cigar in honor of my father, out of respect and gratitude,” says Fuente Jr. “And I was going to make a cigar that Mr. José Orlando Padrón would like.” It was a curious move, two rival companies, each a leader in the world of fine cigars, working together on a project that would bear both of their names. Coke doesn’t share the stage with Pepsi; Porsche and BMW don’t do joint projects; Rolex doesn’t make a watch with Patek Philippe.

“Two and a half years after that initial meeting, on a blazing hot July afternoon in Las Vegas, their idea had its unveiling. Fuente Jr. and Padrón stood on a small stage assembled on the floor of the PCA trade show. In front of a crowd of retailers, they showed off their creation, called Fuente y Padrón Legends.

“Proceeds from these highly anticipated cigars will be donated to two charities, the Fuente family’s Cigar Family Charitable Foundation and the Padrón Family Foundation.

“Two generations of cigar excellence. Carlos Fuente Jr. (top left) and Jorge Padrón (top right) with their fathers José O. Padrón (bottom left) and Carlos Fuente Sr. in Miami in 2014.” Photo courtesy of Cigar Aficionado:

THE WHOLE MEGILLAH:
I found two reviews. One was written in January of this year and the other in July of this year. The blends were received favorably.

This is a very solid cigar carrying considerable weight.

As expected, the wrapper aromas are uptight and outta sight with notes of baking spices, floral, honeysuckle, strong dark chocolate, and a hint of citrus.

I pierce the cap using my PerfecPunch. It releases a cold draw full of peanuts and cinnamon, lots of cedar, aged bourbon, bell peppers, lemon zest, and mild black pepper.

SE Wisconsin was hit with a 1000-year historic rainfall on Saturday. Floods everywhere. People are homeless. We live in the southern part of Milwaukee County and received 10” in 8 hours. As a result, humidity is penetrating my humidors to the point that I have seen a lot of my cigars become over humidified. I grab my Humidimeter and test this morning’s cigar. It reads 69%. I’m good to go. I’ve looked forward to this for a long time.

Lovely beginning with punchy flavors of chocolate, an array of spicy peppers, peanuts, and delicious grilled porterhouse steak. Movin’ on up. Richness and refinement is immediate. Could this turn into a 2-1/2-hour treatise of how to blend cigars ? I hope so.

My next review will be this cigar’s partner, Fuente y Padrón Legends José O. Padrón Honoring Carlito Fuente Jr. See below:

Extremely creamy, melted butter, fresh Georgia peaches, cinnamon, mild red pepper, scorched earth, smoked brisket, and a touch of lemon zest. This is very simple, but elegant. Fingers crossed.

I take a lingering sip from my latte (I bought a frother) and then two puffs. I hold the smoke in my mouth until it is as cool as Inigo Montoya. The cigar mimics the rich coffee goodness. Flavors are lithe and supple. It feels like they are breathing in unison with my breaths.

The ash is delicate and cannot survive a modest touch of the ashtray. Showing off a foot long ash was fun but it was a phase because I no longer have the patience. I love the taste of Pruno in the morning.

Here’s the thing. A super excellent cigar should be available for less than two hundred bucks. Way less. I really expect a BJ when spending this kind of dough. I will suffice with the sound of the ash falling on my lap.

I often see Eddie Munster wearing my Eddie and the Monsters tee shirts. He must have duplicated them while strategically omitting the Pine Kone copyright underneath the design. I was accustomed to hearing from Butch regularly during his battle with his addictions. He always wanted something. I still have pristine 45 singles in their sleeves, promo photos, and a couple tees. I’d have more in my collection but I was an easy pushover for the kid from Mockingbird Lane.

This cigar is treating me right. I’m having a real good time. A natural sweetness begins to overcome the heavy savory input at inch two. The balance is forming nicely.

Transitions start to dilate. Initial reports that showed off a rich quality begins to exhibit an impressive depth that has me craving constant puff n huff. Despite the inherent impatience of this old man, I refrain from shoving the cigar in my mouth while pretending to be a fedora wearing newsprint journalist from 1946. I stave off that craving and allow the cigar to breathe.

Creamy and smooth.

The char line ain’t too cool for school. It isn’t as sharp as the part in my hair…but it will do, pig. It will do.

Another sip of coffee and the spiciness is released. But it subsides a few seconds later. Refinement guides the script. I fill my mouth with more smoke. Not unlike the same smoke I shove up your patootie. Only this erudite smolder is mouthwatering beyond anything I’ve tasted in a while.

The second third shows its face after nearly an hour. I have a sudden craving for gefilte fish. This horrendous Jewish delicacy always came out for the holidays. Thankfully, God invented horseradish to glop over the jellied roly poly fish parts. Don’t have to live like a refugee.

Sips of water cleanse the palate for the next puff.

Besides the ever-present creaminess, the next in line for a constant is the freshly roasted peanuts and café au lait. Chocolate all but disappears. Candied lemon uncrisps the zestiness. Baking spices come to the forefront. The meatiness lessens as the blend finds another gear. Flavors dole out a serious complexity that this cigar wears well.

After the first shoot for the Eddie Munster music video went balls up, I had to come up with another plan. The night before we were scheduled to shoot the scenes in front of Hollywood High School, I did a line of blow and wrote 30 scenes in 20 minutes. Turns out that all of them ended up in the finished video. Don’t say no to drugs. Especially if they’re free.

The cigar is hovering on the cusp of it becoming spectacular. While other bloggers gave this cigar a big thumbs up with ratings of 90, I feel the urge from my loins that I will rate it higher. But I’ve got a long road to hoe here. Construction is spot on making this a slow journey to mecca.

I’m beginning to feel sedated. Lulled into a false frenzy of feelin’ alright.

Single slurps of my coffee bring out the best of this blend.

The first half is dead. Long live the Legends. It took almost an hour and a half. I’m not complaining.

Strength in that first half was an easy going medium. But now, it has been ratcheted up. Medium/full is in play. Signals from my fingers to the keyboard are becoming difficult. I shall don my cape and muster a go it alone stand for justice and the American way.

I gotta get up and stretch. Be right back.

I needed another bass guitar. Musicians suffer the unrequited desire for more. We surround ourselves with tools for laying down the beat. Leo Fender developed a boutique line of guitars and basses under the moniker G&L. I snagged a fretless version.

The second half displays all the characteristics of the sweet spot. The intensity of transitions is dedicated with subtle yumminess. It don’t get any more sophisticated than this. If one could only snag this cigar for $15 what a wonderful world this would be.

When you’re in the studio, felons find their way inside to give you free dope. I was a chicken shit as I didn’t see the need to be poisoned by a stranger. Most of the folks I worked with had no issues with emancipated drugs and did whatever was offered. Fortunately, no one died.

Salted caramel shows up and drags with it an even more potent sweet lemon. This would be the perfect cigar after a big meal and a good waterpik session. I could have reviewed this cigar on a full belly. I see now it was a mistake to indulge on an empty stomach. I take no responsibility as I cannot afford multiples of this expensive cigar.

In the 60’s, record albums were either $1.99 or $2.99. Rock stars always charged the latter.

Chocolate makes a welcome return. The blend morphs into mocha java. And then I taste Almond Joy. Creamy smoothness is still the driving force. Brisket makes a resounding comeback.

The last third is the teller of tales. If it can bear down, I’m all in. Actually, I just shuddered. The term ‘bear down’ is not something any man wants to hear.

And…it delivers. What a ride. It is now 3 hours later. And I am completely saturated in good vibrations. I was dreading this review because I didn’t want to write a thumbs down critique. I hate blasting a cigar for being dreadful. Fortunately, this dynamic duo came through with flying colors. While we work on different wavelengths, this cigar deserves better than just a rating of 90.

99% of us cannot afford the $178 cigar. But there’s hope. The once expensive Padrón blends are now reasonable compared to the giant uptick in pricing over the last year. I recommend you seek them out from sponsor Small Batch Cigar. Take 10% off with promo code KATMAN. You can also retrieve Fuente cigars from an expansive selection from Small Batch Cigar. Take 10% off with promo code KATMAN.

RATING: 97


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17 replies

  1. Hey its only half the price of a top shelf Trinidad or Cohiba & your chances of getting a Fugazy are Way less. Im always looking for $200 cigars……by the box. , without your critique I would never know how this cigar smokes. Some guys have all the luck

    Like

  2. PS…Not being a musically educated bass player, am I way off when I think a fretless bass is one with no worries?

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    • That is correct. Playing a fretless is without worries nor requires much skill. I also bought a crank that attaches to the whammy bar. It helps with maintaining low tones.

      Phil

      Like

      • Good thing you’re not a woodwind player, I’ve always wondered what an open hole flute is but I’m afraid i would blush at your explanation

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        • My late cousin, Fred Selden, was a renowned flautist and reed player. It was he that laid down the cool sax solo for my Eddie Munster video. Took him less than three takes.
          It was Fred that turned me onto serious jazz when I was very young. And it was Fred that created the opportunity for me to be a student of bassist Carol Kaye.
          He ran the horn section on a couple of Elvis tours.
          In 1976 when I returned from the U.K., it was Fred who asked me if I wanted to really learn music…or play rock n roll. I immediately responded, “Rock n roll, please.”

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          • I was living on Symphony Road down the street from Berkeley School of music in 1970 making horrible noises with a Goya (yes Goya) electric guitar. My neighbor, the soon to be famous trombonist Roger Homefield said give it up & gifted me with a used Gemienhardt flute & said my jaw bone was made to play the flute. With his help within weeks I was tootin along with Herbie Mann records. Unfortunately the zazzman nightlife style almost killed me so I gave the flute to my niece & took up cigars & golf.

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          • PS… To this day I cringe when I hear Ian One Foot Anderson butcher the flute on those Jethro Tull tracks. Im sure your cousin would concur

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            • Curved Air supported Jethro Tull a few times. His style was cool when he broke, but it became more of a gimmick than real music. Plus, he was a ridiculous pain in the ass. I hear that he still is.
              My cousin was a snob. Which is what I admired about him.

              Phil

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  3. Let me see if I have this timeline right: releases own blend…takes 10 days off…smokes $200 cigar. Life must be good Phil!

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  4. “I needed another bass guitar. Musicians suffer the unrequited desire for more.”

    Tell me about it. I just got a Sire P5 3 weeks ago and I am already thinking about adding one of their 5 string singray clones. The necks on those things are pure joy.

    Like

    • I’ve heard excellent things about Sire. In fact, I seriously perused that as an option. Just like the G&L, a nice one can be purchased for under $1000.
      I’m a sucker for a Fender Jazz design. It feels natural and quick.
      The only thing I dislike about the so called budget fretless basses is that they insert inlays on the neck to show you where to put your fingers. I find it highly annoying, but at my age, buying what I really want in the $3000+ plus range makes no sense.
      As a bassist, you know that you play by ear and touch. The fake frets are strictly for beginners.
      Still, this G&L has nicely tricked out features. I will sit by the porch, drinking from a jug, waiting for my bass to arrive.

      Thanks for your comment,
      Phil
      bass

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  5. If I were to ever buy another factory electric guitar it would be a G&L strat in SSH. Incredible instruments. Those tonally perfect slabs of ash they use for the bodies are getting rarer and rarer due to the emerald ash borer. I’ve always played hardtails but really been wanting a whammy bar lately. 

    But I’m more of an acoustic player and in the market for the right D-28 first and foremost. 

    Now on to the stick… how would it compare to something less expensive like a Padron 1964? I could get a few of those and a steak dinner for the same price. 

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    • Know what non-musicians rarely get? We love the sexy look of our instruments. We can stare at our guitars for forever and a day and never tire of it. Are we mentally ajar? Yep. But in a good way. And just holding our axe can bring on peace and goodwill towards our fellow man.
      When I bought my Schecter fretless in 1980, I had the bass laying next to me in bed for a week. I should add I was single when I was 30, so it’s only partially fucked up. I’d wake up and stare lovingly at it. It’s funny now. Back then, I was in love.

      The Padron 1926 Series is better than the 1964 blends. If I knew anything about cigars, I could lay it out in great detail. But I’m more an in-the-moment cigar smoker…except when I write about our filthy little habit.

      Thanks for your comment,
      Phil

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      • Your old bandmate Stewart Copeland has and on-off project with my all time favorite guitarist, Trey Anastasio, who has a song about living one moment at a time. It’s called scents and subtle sounds but I won’t suggest you listen to it because I know how you feel about bad singers and I’m just gonna take a wild guess that Phish isn’t your thing. Although to his credit Trey is putting in a lot of work and is a way better singer at 60 than he was at 30. I always try to carry this mentality when enjoying a stick and usually can as long as it doesn’t taste or burn bad. 

        I’m having a tooth pulled in about an hour and last night I enjoyed a Solita Red that was a really perfect last stick before a break until the weekend. But I’ve developed a bit of a weakness for the Padron 2000 maduros and 1964 maduro principe petite coronas at my local total wine and it’s probably good they don’t sell the 1926. But now I’ve gotta try it. 

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